Wednesday, 27 August 2008

Download Fauxliage mp3






Fauxliage
   

Artist: Fauxliage: mp3 download


   Genre(s): 

Rock

   







Discography:


Fauxliage
   

 Fauxliage

   Year: 2007   

Tracks: 11






In 2001 the Canadian ambient pop band Delerium (Bill Leeb and Rhys Fulber), good-tempered reeling from the success of their Sarah McLachlan collaboration on the sung "Silence," released Verse form, an album on which every track had a guest singer. One of the contributors was Sixpence None the Richer's Leigh Nash, whose slice, "Innocente," over up existence the record's exclusive. Nash too added her vocals to 2 more than songs on 2003's Chimaera, "Eye socket of Me" and "Run for It." This cemented the mind that a project should be chased, and in 2007 Nash, Fulber, and Leeb, below the identify Fauxliage, released their self-titled full-length on Nettwerk Records.






Sunday, 17 August 2008

Mp3 music: KRS-One






KRS-One
   

Artist: KRS-One: mp3 download


   Genre(s): 

Rap: Hip-Hop
Other
Pop

   







KRS-One's discography:


KRS One - Life
   

 KRS One - Life

   Year: 2006   

Tracks: 14
Keep Right
   

 Keep Right

   Year: 2004   

Tracks: 23
Instrumentals Vol.1
   

 Instrumentals Vol.1

   Year: 2004   

Tracks: 7
The Kristyle
   

 The Kristyle

   Year: 2003   

Tracks: 27
Spitirual Minded
   

 Spitirual Minded

   Year: 2002   

Tracks: 20
Spiritual Minded
   

 Spiritual Minded

   Year: 2002   

Tracks: 20
Strickly for Da Breakdancers and Emceez (cd2)
   

 Strickly for Da Breakdancers and Emceez (cd2)

   Year: 2001   

Tracks: 10
Strickly for Da Breakdancers and Emceez (cd1)
   

 Strickly for Da Breakdancers and Emceez (cd1)

   Year: 2001   

Tracks: 10
A Retrospective
   

 A Retrospective

   Year: 2000   

Tracks: 16
I Got Next
   

 I Got Next

   Year: 1997   

Tracks: 19
KRS-One
   

 KRS-One

   Year: 1995   

Tracks: 14
Return of the Boom Bap
   

 Return of the Boom Bap

   Year: 1993   

Tracks: 14
Digital
   

 Digital

   Year:    

Tracks: 20






KRS-One (born Kris Parker) was the leader of Boogie Down Productions, one of the to the highest degree influential hardcore hip-hop outfits of the '80s. At the tallness of his calling, about 1987-1990, KRS-One was known for his furiously political and socially conscious raps, which is the reservoir of his soubriquet, "the Teacher." Around the time of 1990's Edutainment, BDP's audience began to slip as many fans cerebration his raps were becoming preachy. As a reaction, KRS-One began to restore his street credibleness with harder, sparer beatniks and raps. 1992's Sex and Violence was the first-class honours degree mark that he was pickings a harder approach shot, one that wasn't virtually as concerned with instruction. KRS-One's first-class honours degree solo album, 1993's Return of the Boom Bap, was an extension of the more than direct approach shot of Sexuality and Violence, yet it didn't hold his commercial decline. Still, he forged on with a high quality self-titled 1995 movement and 1996's Conflict for Rap Supremacy, a joint endeavor with his previous rival, MC Shan. After 1997's I Got Next, he put his solo career on hiatus for various years, at long last returning in former 2001 with The Sneak Attack. The undermentioned twelvemonth brought deuce good releases: the gospel truth endeavor Spiritual Minded and The Mix Tape, the latter including a single ("Ova Here") that stood as a response to Nelly, only the latest rap music figure to feud with the Blastmaster. In 2003 KRS-One released 2 albums, Kristyles and D.I.G.I.T.A.L., patch the following year brought only one, Keep Right. In 2006 Lifetime came out on the small, California-based Antagonist Records. The undermentioned twelvemonth KRS-One reunited with Marley Marl to make Hip Hop Lives, a lacklustre endeavor to preserve the golden age of hip-hop.






Thursday, 7 August 2008

Grooving, "northern soul" style at the Emerald City Soul Club

It's just before midnight on an isolated stretch of Eastlake Avenue, and young masses are gaggled together around the featureless doorway of the Lo-Fi Performance Gallery. Chattering and smoking, they're a pocket of elan vital in this otherwise sorry, I-5-abutted neighborhood. Some of the women are dressed in sleek cocktail dresses and fishnets, some of the work force in vests, ties and porkpie hats. It's the second Saturday of the month and a